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New Podcast Reveals Mysteries of Shakespeare

April 25, 2005

Shakespeare.jpg
A new podcast promises to reveal the mysteries of Shakespeare. The podcast feature excerpts from author Mark Anderson's new book "Shakespeare" by Another Name, which examines the puzzles that have long haunted the identity of history’s greatest author.

Sir Derek Jacobi, a world-renowned Shakespearean actor, recommends the book as "full of enlightened and reasoned research in the quest to provide material for a rational and honest debate in the Shakespeare authorship question."

Author Anderson thinks podcasting is a great opportunity for authors. "Despite the fact that not many authors are doing it today, it seems to me that providing free audio excerpts of one's book is a great way to get potential readers interested in the story. I'm no marketing person, but podcasting seems tailor-made for the book business."

"Shakespeare" by Another Name Podcast Details

About the Book:

Centuries after they were written, Shakespeare’s plays continue to mystify scholars regarding their authorship. The author has long been assumed to be William Shakspere of Stratford-on-Avon, actor and theatrical entrepreneur; yet as Mark Anderson points out in “SHAKESPEARE” BY ANOTHER NAME: The Life of Edward de Vere, Earl of Oxford, the Man Who Was Shakespeare, there’s no evidence that Shakspere attended school or owned a single book, though the plays are filled with literary allusions.

Moreover, no manuscripts have ever surfaced that could definitively link him to the plays he is said to have written. Mark Twain, Henry James, Sigmund Freud, and Walt Whitman are a few of the celebrated writers and thinkers who have voiced serious doubt that the Bard was the man from Stratford.

On the other hand, the parallels between the Shake-speare plays and poems and the life of Edward de Vere, 17th Earl of Oxford, are too numerous to ignore. De Vere was educated by a famed translator of Ovid’s Metamorphoses (a favorite source of Shake-speare), de Vere joined a military campaign against rebellious nobles in Scotland (gaining material for Henry IV, Parts 1 & 2 and Macbeth), he traveled throughout Italy and went into debt with Venetian money lenders (The Merchant of Venice), a duplicitous servant convinced him that his wife was unfaithful (as in Othello), and he had a romantic affair which led to street warfare between de Vere’s clan and his mistress’s kinsmen (Romeo and Juliet). De Vere was praised in his lifetime as a highly capable playwright as well as an author whose works were diverted from the public’s eye—and ultimately published under another name, “William Shakespeare.”

Reporter and scholar Anderson relates in detail the astounding life of de Vere and the many instances when that life and Shakespeare’s plays overlapped in “SHAKESPEARE” BY ANOTHER NAME. Anderson makes a very strong case that the satire and topical allusions in the Shakespeare canon swirl around de Vere—praising and flattering de Vere’s courtly favorites (such as the Earls of Sussex and Southampton) and lambasting his rivals (such as Sir Philip Sidney and Sir Christopher Hatton).

Yet these highly charged plays revealed scandalous details about the powerful men, and one very powerful woman, that comprised the Elizabethan power structure. Thus de Vere used an alias that became confused with a similarly-named actor. Even after de Vere’s death, his children kept the truth buried to protect their family’s reputation and status at court, and Shakspere of Stratford-on-Avon gladly took credit when no one else would.

About the Author:

Mark Anderson spent over a decade researching the life of Edward de Vere, Earl of Oxford and has written on the subject for Harper’s, the Boston Globe, and PBS.org. His journalism has also been published in Wired, Rolling Stone, and Science. He lives in Massachusetts.

Comments

Elsewhere in April 2005 news I read about evidence that Titus Andronicus and The Merry Widows of Windsor were staged too early for the Stratford man to have written them -- but the details of this evidence aren't disclosed in the article I saw. Can anyone fill me in?

Posted by: Ozzie Maland at April 25, 2005 10:58 PM

Titus Andronicus first appeared in print in 1594 and The Merry Wives of Windsor first appeared in print in 1602. Both first editions of the plays indicate that they'd been performed previously. The years 1594 and 1602 pose no problem for the traditional theory of Shakespeare's authorship.

That said, Merry Wives in particular suggests a considerably earlier period: Set at an inn in the town of Windsor, Merry Wives is the only Shakespeare play that takes place outside a royal or aristocratic court. At age 20, in 1570, the courtly poet-playwright Edward de Vere, Earl of Oxford spent a brief period away from the Elizabethan court -- recuperating from an illness at an inn in the town of Windsor. Moreover, in 1570, de Vere was wooing a young maid named Anne Cecil. (He would wed her in 1571.) Also vying for Anne's hand at the time was a nephew of the powerful Earl of Leicester, a charming young champ (whom de Vere was often spiteful toward) named Philip Sidney.

Shakespeare's Merry Wives of Windsor presents a maid named Anne Page being courted by a charming young groom named Fenton. At the same time a doofus named Slender (at the behest of his uncle Shallow) is also suing for Anne Page's hand. The terms of Anne Page's and Slender's inheritances, as mentioned in the play, are markedly similar to those of Anne Cecil and Philip Sidney. Whoever Shakespeare was, he certainly knew something about the goings on in that inn in Windsor in 1570.

Posted by: Scriblerus at April 26, 2005 01:47 PM

This has been going on since I was a child. The first time I read about it, it was Francis Bacon. I was about 9 years old. I'll tell you that was l950. Shakespeare has been so many people since then, including Christopher Marlowe when I was a teenager and several others whom I can't remember right now in the heat of the moment. There have been some brave souls who believe Shakespeare is who he was, so to speak. He could have educated himself by himself could he not?
I think it is snobbery to assume that a man with such insight had to be noble?, rich?, educated at the best schools? royal?. Mark Twain would have had some troube with that. Sincerely, Sharon Bunn

Posted by: sharon bunn at April 27, 2005 02:37 PM

Thanks, Scriblerus. You present what I call strong arguments, but not proof of actual fact. I just ran
across another article which says it is now "fact" that those two plays were staged too early for the Stratford man to have written them:
http://www.exzibit.net/viewarticle.php?articleID=186#

The same article claims de Vere used "William Shake-speare" as a pseudonym during a period of his life, and sets out a bit of poetry bearing de Vere's name that resonates well with the WS sonnets. Are some of these claims reaching beyond
what has been firmly established? (I don't go along with smearing mud on scholarship; let's keep the discussion directed to the known evidence and the logical inferences to be drawn from it.)

Posted by: Ozzie Maland at May 18, 2005 08:45 PM

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